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from the May/June
2002 issue
When you
need a break from your book group, take a break
with your book group by Marla
Abramson
This is an archived page.
Click to return to the current
issue. After twenty-five years, Tony Panero's
book club in San Carlos, California, said its
goodbyes. Then, the four married couples who
comprise the group loaded up their cars and drove
to a cabin in the woods for a weekend
getaway.
 Illustration by David Sheldon
| Panero's is one of a number of clubs
that have realized that traveling—like reading—can
be invigorating, and that combining both passions
can go a long way toward keeping a group
energized. The Sistah Circle of Dallas, fed up
with their monthly meetings last year, rented a
bed-and-breakfast in Gainesville, Texas, eighty
miles north of Dallas, so they could, in the words
of member Lisa Cross, relax, rejuvenate and read.
The Last Thursday Book Club in Albuquerque, New
Mexico, uses an annual retreat as an excuse to
travel. The men have gone hiking in Pagosa
Springs, Colorado, and walked the dusty streets of
Winslow, Arizona. "It gives us a chance to talk
about the book and get away for a couple of days
with the guys," member Tom Genoni says.
Participants at the African American
Book Club Summit at Sea visit new places and learn
fresh ideas to bring back to their groups. The
annual floating retreat grew out of the Good Book
Club in Houston, founded in 1996 by a group
employed at the Johnson Space Center. After the
group expanded online with a cyberchapter of more
than 500 members, many wanted to meet in person.
So, two years ago, 160 members of various book
clubs and twenty-seven authors, including Eric
Jerome Dickey, gathered for a five-day cruise. In
between readings and discussions, participants
explored Cancún and Cozumel, Mexico. At night, the
group danced together and sang karaoke tunes.
Lauretta Black Pierce of Colorado says the
second cruise, which took place last October, felt
like a family reunion. And it wasn't just book
club members who returned. Author Kimberla Lawson
Roby (Casting the First Stone)
participated in both literary voyages and has
signed on for next year's.
"It's a great
way to let your hair down with other readers,"
explains Timmothy McCann, author of
Until..., "doing everything from karaoke
to horseback riding to scuba diving. It was a good
way just to connect and talk books."
Even
for groups that may not have the time or the
resources to cross oceans, creating a retreat can
be beneficial. "It's like pulling into a gas
station," explains Pat G'Orge-Walker, who has gone
on retreats with her Long Island, New York-based
group as well as the Summit at Sea, "and getting a
refill on your energy level."
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| "I allow
everyone three uninterrupted minutes at the
beginning of each meeting" to say whatever they
want about the book, says Sue Catalano of
Haverhill, Massachusetts. Otherwise, "they
forget they're there to discuss and share." Send
your book group suggestions and reading lists to
groupdynamics@bookmagazine.com.
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| PICKS RECOMMENDATIONS FOR BOOK
GROUPS |
Ahab's
Wife Sena Jeter Naslund In
this feminine twist on Moby-Dick, Una
Spenser is a compassionate, independent woman
whose adventures rival those of her
whale-obsessed husband.
Coming Through
Slaughter Michael
Ondaatje Buddy Bolden blew the roof off New
Orleans dance halls in the early 1900s, but went
insane at the peak of his career and never
recorded a sound. Ondaatje combines fiction,
poetry and lyrics in this portrait of one of
jazz's founding fathers.
Coming Through
Slaughter Michael
Ondaatje Buddy Bolden blew the roof off New
Orleans dance halls in the early 1900s, but went
insane at the peak of his career and never
recorded a sound. Ondaatje combines fiction,
poetry and lyrics in this portrait of one of
jazz's founding fathers.
Dark Kenji
Jasper Thai is torn between the promise of a
career and the allure of street life. When he
flees his inner-city hood after committing a
violent crime, he finds himself on the lam—and
on the path toward maturity.
Last Orders Graham
Swift As a trio of World War II vets carry
out their final duty to a dead friend—to scatter
his ashes into the sea—they reflect on their
outwardly unexceptional lives in this 1996
Booker Prize–winning novel.
Middle Son Deborah
Iida Spencer Fujii must face a lingering
secret when he returns to Hawaii to comfort his
dying mother. In this lyrical 1996 novel, Iida
beautifully portrays the insular community of
the Japanese sugarcane workers.
Motherless
Brooklyn Jonathan Lethem In
this 1999 novel about a Tourette's-afflicted
detective piecing together both the murder of
his mentor and the fragments of his own life,
Lethem tests the boundaries of hard-boiled
fiction.
Dona Flor
and Her Two Husbands Jorge
Amado When Dona Flor's rakish husband dies
mid-samba, she marries a gentle pharmacist and
leads a peaceful new life, until her first
husband's ghost pays an amorous visit.
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| DISCUSSION
QUESTIONS May/June
2002 |
Graham Swift's
Last Orders How is the metaphor of life as a
journey played out in Last Orders? With
its echoes of Chaucer's Canterbury
Tales, how far is this modern journey a
pilgrimage for the men who undertake it? How
does it deepen their understanding of the lives
they have lived?
Amy tells Ray, "You're
a lucky man, you're such a little man." What
does she mean? Is Ray lucky or does he make his
own luck? What has Amy's life been like with
Jack? Do you think she and Ray will go to
Australia?
What ties bind these men to
one another? How have the hardships of the past
shaped them? Consider them as family men. Why do
they have such unsatisfactory relationships with
their daughters? What has Vic learned in the
funeral business that enables him to be more
dignified than the others?
Jack's shop
was his "billet." Can you understand why Vince
rejects it? How do you react to Vince throughout
the story? Why do the older men tolerate him?
Does he have any redeeming features?
What is the effect of the shifting
perspectives and multiple voices of Last Orders?
How successfully are all the threads woven
together? Is the resolution satisfactory?
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Jonathan
Lethem's Motherless
Brooklyn Lionel
describes the Minna Men without Minna as "a
verbless sentence." Later, an attack of vertigo
feels like "a loss of language." What does
language mean to Lionel and what part did Minna
and Minna's Brooklyn play in the development of
his sense of self? What is the significance of
the novel's title?
Julia claims that
Minna found Lionel useful because people thought
he was crazy and underestimated him. Consider
how various characters react to Lionel during
his investigation and whether his Tourette's
finally proves to be an asset to him as a
detective.
What forms do Lionel's verbal
outbursts take? How does Jonathan Lethem use
Lionel's Tourette's in the novel to provoke
action, create or break moods and to hint at the
deeper layers beneath the surface of the story?
Lethem's novel is reminiscent of classic
noir detective fiction—a genre to which Lionel
refers during the book. Lionel as narrator and
detective aside, how original is Lethem's work?
Did you read it as satire, parody or homage?
Detectives in hard-boiled thrillers
rarely exhibit a human, vulnerable side. How far
did you find Lionel Essrog an appealing
character?
Who is Bailey? Is it
important?
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